SAGG NAPOLI’s artistic practice manifests in her eponymous, semi-autobiographical research project which takes her hometown of Naples as a starting point to map contemporary cultures. Narrating the current socio-economic situation of Southern Europe, SAGG NAPOLI’s research manifests in a “physical archive” of objects, videos, social media, and her own body.
The ‘South aesthetic’ was displayed in SAGG NAPOLI’s 2017 exhibition – Si na bugij pi cosc lisc e o smalt ngopp all’ogn- You’re a lie with smooth thighs and painted nails (Jupiter Woods Gallery). The primary piece – a 12-minute looped video shot in Naples – presented SAGG NAPOLI using her body as a vehicle to narrate a “visual dictionary” comprising symbols, music and architecture.
Through her online prescence she turns performative practice into a universal Instagram language, characterised by a millennial propensity for pouting and being ‘extra’.
E COS FAVZ S’APPICN – FAKE THINGS ARE FLAMMABLE (Foothold, Polignano a Mare, 2018) – looked at the subjective importance of place. Featuring a series of ‘adverts’, the show highlighted the irony in the way certain locations that are seen by some as mundane, are highly culturally charged for others.
To find information on the other finalists for the 2020 Visual Arts Award go here.